by Jane Friedman
AGENT WITH WRITERS HOUSE
Lazar, who represents fiction, nonfiction and children’s writers, has been with Writers House for more than eight years. He has a particular interest in graphic novels and memoirs, and loves historical fiction of all kinds. As the oldest child of six who has changed many, many diapers in his life, he is equally intrigued by books with unique views on parenting and family life. For complete submission guidelines, visit writershouse.com.
SEEKING: I never know, exactly, until I see it. Some of my previously sold titles are great examples: Juliet by Anne Fortier, The Little Giant of Aberdeen County by Tiffany Baker, The Bells by Richard Harvell. … I also love funny gift books, like Mommy Prayers by Tracy Mayor and What Would Keith Richards Do?by Jessica West.
BIGGEST CAREER SURPRISE: Our industry is just endlessly unpredictable—for better or worse. My client Jennifer McMahon is a great example; her first book, Promise Not to Tell, was a battle to sell, and now she’s a bestseller.
MOST QUERIES ARE … too broad or unfocused. Query letters are always the most irresistible when they’re specific and evocative, without hitting you over the head with every detail of the book. Also, a modicum of research (“I’m writing to you because you represented X book, which I loved …”) is a nice touch.
MOST NOVEL MANUSCRIPTS ARE … not starting where the story actually starts.
SOCIAL MEDIA IS … not “one size fits all.” It can be incredibly useful if the author is Web savvy. If authors know how to network and promote themselves online, and not lose time writing, it can be a huge advantage. If not, the social media tools can often be just a brochure sitting in cyberspace. Of course, every author should have a website and a Facebook page at the very least. But not every author needs to be blogging and tweeting and updating their website every five seconds. CLICK HERE to read the full article.
