Let me introduce a bit of philosophy that applies to the writer’s life, as well as it does to the lives of those who are not published. Many of you may be familiar with the themes popularized by psychotherapists, self-awareness gurus, and business motivators that assert the following: To be a victim is to be powerless—which means you don’t have the ability to improve your situation. With that in mind, avoid becoming merely an author who only complains and who remains forever bitter.
No matter how seriously you believe your publisher is screwing up, don’t fall into the victim trap. Instead, find positive ways to affect what is or is not happening for you.
Your publisher is like an indispensable employee whom you are not at liberty to fire. You don’t have to work with this publisher the next time, but this time it’s the only one you’ve got.
There are a handful of perennially bestselling writers, such as John Grisham, Anne Rice, Mary Higgins Clark, and Michael Crichton, whose book sales cover a large part of their publisher’s expense sheet. These writers have perhaps earned the luxury of being very difficult, if they so choose (most of them are reportedly quite the opposite).
But the other 99.98 percent of writers are not so fortunately invested with the power to arbitrate. No matter how justified your stance and methods may be, if you become an author with whom everyone at the publishing house dreads to speak, you’ve lost the game.
The editors, publicists, and marketing personnel still have their jobs, and they see no reason to have you in their face. In other words: Always seek what’s legitimately yours, but always try to do it in a way that might work for you, as opposed to making yourself persona non grata till the end of time.
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